The Cutting Room

The Cutting Room

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What the poem was reaching for

The cadence decided what the climb meant before I did

Two lines reached for tears. The cancer was one line below.

One noun too many, and the rest of the poem stays in the drawer

The comfort arrived before the grief did

The hand was on cold rock — then the speaker stepped out of the weather to explain

My two weakest lines, at the two places the form shows them most

I autopsy my own failed poems. Here is the first.

Most writing about poetry shows you how poems succeed. This runs the other way.

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